{"id":18186,"date":"2019-11-25T14:09:54","date_gmt":"2019-11-25T14:09:54","guid":{"rendered":"http:\/\/www.slineamt.ro\/apostolul\/?p=18186"},"modified":"2019-11-25T14:09:54","modified_gmt":"2019-11-25T14:09:54","slug":"nicolae-sava-sau-salvarea-prin-parabola-autoironie-si-fast-imaginativ","status":"publish","type":"post","link":"http:\/\/www.slineamt.ro\/apostolul\/cronica-literara\/nicolae-sava-sau-salvarea-prin-parabola-autoironie-si-fast-imaginativ\/","title":{"rendered":"Nicolae Sava sau salvarea prin parabol\u0103, autoironie \u015fi fast imaginativ"},"content":{"rendered":"\n
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N\u0103scut pe 23 octombrie\n1950, la V\u00e2n\u0103tori, Neam\u0163, Nicolae Sava a debutat \u00een 1969 \u00een revista const\u0103n\u0163ean\u0103\n\u201eTomis\u201d. Editorial debuteaz\u0103 \u00een \u201eCaietul debutan\u0163ilor 1980-1981\u201d al Editurii \u201eAlbatros\u201d,\ncu un grupaj de poeme \u00een proz\u0103 intitulat \u201eDespre prietenie\u201d. A publicat mai\nmulte volume de poezii \u015fi a colaborat la revistele: Antiteze, Apostolul, Asachi, Conta, La Tazl\u0103u, \u0162ara Hangului<\/em>; (din\nNeam\u0163), \u015fi la publica\u0163ii literare din \u0163ar\u0103: Convorbiri\nliterare, Cronica, Luceaf\u0103rul, Opinia studen\u0163easc\u0103<\/em> \u015f. a. <\/p>\n\n\n\n

Membru al Uniunii\nScriitorilor (U.S.R.) \u015fi al Uniunii Ziari\u015ftilor Profesioni\u015fti din Rom\u00e2nia,\nNicolae Sava este distins cu numeroase premii, printre care Premiul U.S.R., pentru\nvolumul \u201eInsolenta nop\u0163ilor\u201d (2004), Premiul de Poezie al Revistei Convorbiri literare<\/em> (Ia\u015fi, 2008),\nPremiul Daniil Sandu Tudor, pentru promovarea ideilor cre\u015ftine \u00een crea\u0163ia\nliterar\u0103 (M\u0103n\u0103stirea Neam\u0163, 2009), Premiul de Excelen\u0163\u0103 al U.S.R., Filiala Ia\u015fi,\npentru \u00eentreaga activitate, 2010. (Red.<\/em><\/strong>) <\/p>\n\n\n\n

De\u015fi scrie o poezie a\ncotidianului, Nicolae Sava ne apare ca un poet lipsit de teroarea \u015fi\nprecaritatea accidentalului. C\u00e2nd \u00een 1984 debuta cu volumul de poeme Fericit precum mirele<\/strong>, Nicolae Sava\nimpresiona \u00een primul r\u00e2nd prin modul \u00een care \u00ee\u015fi organiza discursul poetic,\nprin parabol\u0103, echivoc \u015fi autoironie. Scrise sub form\u0103 de proz\u0103 (calupuri mai\nmari sau mai mici), poemele lui Nicolae Sava ofereau la lectur\u0103 pl\u0103cuta\nimpresie de flux continuu, de dicteu automat. Titlurile c\u0103r\u0163ilor care i-au\nap\u0103rut dup\u0103 Fericit precum mirele<\/strong>\n(Ed. Junimea, 1984), nu au tr\u0103dat aceast\u0103 formul\u0103: Privighetoarea ars\u0103<\/strong> (Ed. Junimea, 1989), Proz\u0103, domnilor, proz\u0103<\/strong> (Ed. Axa, 1999), Via\u0163\u0103 public\u0103<\/strong> (Editura Panteon, 1995), Insolen\u0163a nop\u0163ilor <\/strong>(Editura Axa, 2004), \u00cen aripi de gal\u0103 <\/strong>(2011).<\/p>\n\n\n\n

Nicolae Sava poart\u0103 cu\nsine con\u015ftiin\u0163a damnatului \u015fi de\u0163ine o gestic\u0103, o formul\u0103 atitudinal\u0103\nasem\u0103n\u0103toare binecunoscu\u0163ilor po\u00e8tes\nmaudits<\/em>. Iat\u0103 cum \u00ee\u015fi descrie prezen\u0163a \u00eentr-o Fericit\u0103 lume a robo\u0163ilor<\/strong>: \u201eFiresc ar fi s\u0103 port acela\u015fi model de\npantofi cu ai dumneavoastr\u0103 s\u0103 r\u0103spund la fel de inteligent ca \u015fi dumneavoastr\u0103\nla ironiile dumneavoastr\u0103 s\u0103-mi tr\u0103iesc aceea\u015fi via\u0163\u0103 de familiu\u0163\u0103 la fel cu a\ndumneavoastr\u0103 apartamentul meu s\u0103 fie la acela\u015fi etaj cu al dumneavoastr\u0103\nlivada mea cu cire\u015fi de acas\u0103 firesc ar fi s\u0103 \u00eenfloreasc\u0103 odat\u0103 cu via\u0163a\ndumneavoastr\u0103 s\u0103 uit adolescen\u0163a pe banca din parcul ora\u015fului unde v-a\u0163i l\u0103sat\npentru totdeauna dumneavoastr\u0103 prietenii dac\u0103 a\u015f ap\u0103sa pe un buton pentru\nst\u0103rile mele zilnice rece cald proasp\u0103t fierbinte a\u015f \u015fti s\u0103 acord totodat\u0103 aten\u0163ia\ncuvenit\u0103 acestor probleme de regie \u015fi s\u0103 trec prin via\u0163\u0103 \u00eencheiat la suflet cu\nto\u0163i nasturii dar.\u201d<\/p>\n\n\n\n

Poetul ne apare\n\u00eenst\u0103p\u00e2nit de propriu-i labirint, pe ceea ce, provoc\u00e2nd \u00een fel \u015fi chip, \u00eei\nsmulge realului agresiv, frustei banalit\u0103\u0163i: \u201eSe aud greierii finan\u0163\u00e2nd timpul\nnu a\u015ftept nici un tren cu mirese beau ap\u0103 \u015fi v\u0103d cum m\u0103 p\u0103r\u0103sesc prietenii se a\u015feaz\u0103\nfiecare pe cruce un picup continu\u0103 s\u0103 se-nv\u00e2rt\u0103 bate un cui bate un cui bate un\ncui vai mie lacrimile \u00eemi curg \u015fi sunt ro\u015fii dar cui \u00eei pas\u0103 de nelini\u015ftea mea\ndin poemul acesta beau ap\u0103 \u015fi m\u0103 \u00eentreb de ce pas\u0103rea ce nu cunoa\u015fte zborul\ndevine piatr\u0103 uneori \u00eemi pun o poian\u0103 sub cap \u015fi a\u015ftept visele la care nu au\nacces muritorii beau ap\u0103 \u015fi m\u0103 \u00eentreb de ce pas\u0103rea…\u201d (Beau ap\u0103 \u015fi m\u0103 \u00eentreb de ce pas\u0103rea<\/em>).<\/p>\n\n\n\n

Codurile lui Nicolae\nSava sunt misterioase. Comunicarea se face cel mai adesea prin parabol\u0103. \u015ei cum\nparabola e forma cu fond care poate comunica mai mult dec\u00e2t se arat\u0103 textual,\npoemul e investit cu o magie ce plute\u015fte deasupra-i ca o pulbere de aur. Iat\u0103\nacest excelent Moment poetic: \u201eDup\u0103 ce \u00een clas\u0103 se adunase toat\u0103 lini\u015ftea zilei\niar copii st\u0103teau cu m\u00e2inile \u00eencruci\u015fate la piept \u00eenc\u00e2t se auzea doar timpul\ntrec\u00e2nd tovar\u0103\u015fa \u00eenv\u0103\u0163\u0103toare lu\u0103 o pozi\u0163ie estetic\u0103 anun\u0163\u00e2nd grav dragi copii\navem bucuria de a saluta \u00een mijlocul nostru pe domnul poet \u015fi domnul poet ne va\nciti c\u00e2teva dintre crea\u0163iile domniei sale copii zise poetul v\u0103 voi citi ultima\ncapodoper\u0103 se opri la fereastr\u0103 o deschise \u00eencet \u015fi r\u0103mase privind \u00eenainte\ntocmai trecea un anotimp copiii nu \u00een\u0163eleser\u0103 mai nimic dar accept\u0103 jocul mai\nvrem o capodoper\u0103 \u015fi poetul se duse din nou la fereastr\u0103 lini\u015ftit privind\n\u00eenainte cum mai trec anotimpuri ce minunat exclamau to\u0163i ce minunat mai vrem o\ncapodoper\u0103 strigar\u0103 \u00een cor dar de data asta poetul nu mai nimerise fereastra \u015fi\nm\u00e2inile \u00eentinse c\u0103utau tremur\u00e2nd peretele v\u0103ruit foarte alb\u201d.<\/p>\n\n\n\n

Rela\u0163ia poetului cu\nrealitatea pare a fi l\u0103murit\u0103 \u00een percutanta poem\u0103 Fabul\u0103: \u201eAm g\u0103sit un s\u00e2mbure\nde adev\u0103r, l-am a\u015fezat pe o piatr\u0103 \u015fi cu\/ alta poc\u201d.<\/p>\n\n\n\n

Sentimentul unei\nsingur\u0103t\u0103\u0163i acute, o singur\u0103tate asumat\u0103 p\u00e2n\u0103 la tragic, e prezent \u00een aproape\ntoate poemele c\u0103r\u0163ii. \u201e\u015ei c\u00e2nd nu mai po\u0163i de dor, singur\u0103tatea \u0163i se strecoar\u0103\n\u00een\/ odaie pe sub u\u015f\u0103 ca o nev\u0103stuic\u0103 p\u00e2ndindu-\u0163i g\u00e2tlejul, \u00eencerci s\u0103\/ faci un\nrezumat al situa\u0163iei interna\u0163ionale \u015fi te apuc\u0103 subit\/ pl\u00e2nsul\u201d \u2013 spune poetul\n\u00een Secund\u0103. Sau, \u00eentr-un alt poem: \u201eNu am alt prieten mai bun dec\u00e2t vinul\u201d.\nAflat \u00eentr-o continu\u0103 lupt\u0103 cu agresivitatea realului, cu viciile lumii (to\u0163i\ncomentatorii, de la Al. Piru, Romul Munteanu, Lauren\u0163iu Ulici p\u00e2n\u0103 la mai\ntinerii Mircea A. Diaconu \u015fi Alexandru \u0162ion au remarcat o dimensiune moral\u0103 \u00een\nmajoritatea poemelor), dar \u015fi cu sinele supus augustelor gnoze, \u00een poeme \u00een\ncare antinomiile, paradoxul, ironia \u015fi autoironia, deta\u015farea cu care e rostit\ndiscursul poetic nu pot ascunde deziluzia, disperarea poetului ve\u015fnic \u00een\nc\u0103utarea sentimentelor adev\u0103rate \u015fi a adev\u0103rului, el \u00eenal\u0163\u0103, a\u015fa cum spuneam,\nparabole de un dramatism agresiv, care incit\u0103 \u015fi c\u00e2\u015ftig\u0103 la relectur\u0103. \u00cen\nspatele ironiei textuale (pentru c\u0103 Nicolae Sava e un subtil ironist), r\u0103m\u00e2ne\nmereu un om singur, dezarmat, care-\u015fi tr\u0103ie\u015fte cu demnitate blestemul poeziei.<\/p>\n\n\n\n

Daniel CORBU<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

N\u0103scut pe 23 octombrie 1950, la V\u00e2n\u0103tori, Neam\u0163, Nicolae Sava a debutat \u00een 1969 \u00een revista const\u0103n\u0163ean\u0103 \u201eTomis\u201d. Editorial debuteaz\u0103 \u00een \u201eCaietul debutan\u0163ilor 1980-1981\u201d al Editurii \u201eAlbatros\u201d, cu un grupaj de poeme \u00een proz\u0103 intitulat \u201eDespre prietenie\u201d. A publicat mai…<\/p>\n

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