{"id":18204,"date":"2019-11-25T14:12:48","date_gmt":"2019-11-25T14:12:48","guid":{"rendered":"http:\/\/www.slineamt.ro\/apostolul\/?p=18204"},"modified":"2019-11-25T14:12:48","modified_gmt":"2019-11-25T14:12:48","slug":"cartea-de-poezie","status":"publish","type":"post","link":"http:\/\/www.slineamt.ro\/apostolul\/cronica-literara\/cartea-de-poezie\/","title":{"rendered":"Cartea de poezie"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"336\" height=\"425\" src=\"http:\/\/www.slineamt.ro\/apostolul\/wp-content\/uploads\/2019\/11\/24-ap226-foto1.jpg\" alt=\"\" class=\"wp-image-18210\" srcset=\"http:\/\/www.slineamt.ro\/apostolul\/wp-content\/uploads\/2019\/11\/24-ap226-foto1.jpg 336w, http:\/\/www.slineamt.ro\/apostolul\/wp-content\/uploads\/2019\/11\/24-ap226-foto1-237x300.jpg 237w, http:\/\/www.slineamt.ro\/apostolul\/wp-content\/uploads\/2019\/11\/24-ap226-foto1-260x329.jpg 260w, http:\/\/www.slineamt.ro\/apostolul\/wp-content\/uploads\/2019\/11\/24-ap226-foto1-160x202.jpg 160w\" sizes=\"auto, (max-width: 336px) 100vw, 336px\" \/><\/figure><\/div>\n\n\n\n<p>Utta-Siegrid K\u0151nig: <em>&#8230;sub clopotul de sticl\u0103<\/em><\/p>\n\n\n\n<p>\u00cen peisajul publicistic \u015fi editorial\nal ultimelor dou\u0103 decenii \u015fi jum\u0103tate \u00eenregistrat \u00een jude\u0163ul Neam\u0163, \u015fi nu\nnumai, prezen\u0163a poetesei Utta-Siegrid K\u0151nig este una singular\u0103 \u015fi discret\u0103 \u00een\nceea ce prive\u015fte promovarea c\u0103r\u0163ilor sale de poezie. Afirma\u0163ia noastr\u0103 se\nbazeaz\u0103 pe mai multe argumente. \u00cen intervalul amintit deja, num\u0103rul celor care\n\u00ee\u015fi scriu, \u00ee\u015fi public\u0103 \u00een diverse reviste \u015fi \u00ee\u015fi editeaz\u0103 de cele mai multe ori\n\u00een regie proprie \u201eproduc\u0163iile\u201d, nu \u00eentotdeauna cu valoare literar\u0103, a dep\u0103\u015fit\nde mult un num\u0103r de dou\u0103 cifre. De altfel este pu\u0163in probabil c\u0103 exist\u0103 undeva\no statistic\u0103 ce ar putea preciza cu exactitate num\u0103rul editurilor din Rom\u00e2nia,\nal autorilor sau al titlurilor c\u0103r\u0163ilor publicate. Mai mult, nu pu\u0163ini sunt\nacei care \u00ee\u015fi promoveaz\u0103 \u201ecrea\u0163iile\u201d \u00een manifest\u0103ri zgomotoase, cu un public\nvolant, cu vorbitori angaja\u0163i pe principiul \u201etu vorbe\u015fti\/scrii despre mine, eu vorbesc\/scriu\ndespre tine\u201d, \u015fi asezon\u00e2ndu-se, dup\u0103 posibilit\u0103\u0163i, cu o garnitur\u0103 de\nmass-media. Desigur sunt \u015fi excep\u0163ii. Una dintre acestea este autoarea noastr\u0103\na c\u0103rei carte, citat\u0103 \u00een titlul de mai sus, face obiectul urm\u0103toarelor: <\/p>\n\n\n\n<p>N\u0103scut\u0103 (22. 04. 1943) la Posen,\nGermania, \u00een prezent, Poznan, Polonia, din p\u0103rin\u0163i de origine german\u0103, Utta-Siegrid\nK\u0151nig a absolvit Liceul <em>\u015etefan cel Mare<\/em>\ndin Suceava, sec\u0163ia real\u0103 (1961) \u015fi \u015ecoala Tehnic\u0103 de Arhitectur\u0103, Construc\u0163ia\nOra\u015felor, Bucure\u015fti (1964) \u015fi s-a stabilit la Piatra-Neam\u0163.<\/p>\n\n\n\n<p>Publicistic a debutat cu un grupaj\nde sonete, la rubrica <em>Rezerva\u0163ia de\n\u00eengeri<\/em>, a Revistei <strong><em>Asachi<\/em><\/strong> din Piatra-Neam\u0163 (1993).\n\u00centre anii 1995-2014, a publicat nou\u0103 c\u0103r\u0163i de poezie: <strong>\u2026<em>\u015ei Haiku<\/em><\/strong>, 1995-1997; <strong><em>Ve\u015fnica\nefemerid\u0103<\/em><\/strong>, sonete, 1999; <strong><em>Abia zbor\u2026f\u0103r\u0103 urm\u0103<\/em>\u2026<\/strong>, poeme tanka,\n2000; <strong><em>Mai gr\u0103bit ca mine\u2026un fluture alb<\/em><\/strong>, 2001; <strong><em>\u00centruna ramul \u00een r\u0103zboi cu clipa<\/em><\/strong><em>,<\/em> 2004; <strong><em>ALB-ALBASTRU \/ Sub raza cea\ndint\u00e2i<\/em>\u2026\/ <em>Itinerar grecesc<\/em><\/strong>,\n2006; <strong><em>RO\u015eU-GALBEN \/ Sub cea de-a doua raz\u0103\u2026\/ Itinerar spaniol \/ \u015fi nu numai<\/em>\u2026<\/strong>,\n2008; <strong>\u2026<em>Doar calendare f\u0103r\u0103 file?<\/em><\/strong>, rondeluri, 2012; <strong><em>R\u0103spunsuri<\/em><\/strong>,\nroman epistolar, 2014, abord\u00e2nd diverse specii (haiku, tanca, rondeluri,\nsonete), toate \u00een edi\u0163ii bibliofile \u015fi, desigur, \u00een tiraje nu prea mari. <\/p>\n\n\n\n<p>A\u015fa cum am mai scris \u00een comentariile\nnoastre la c\u0103r\u0163ile autoarei, \u00eentreaga sa crea\u0163ie este rodul unor <em>confrunt\u0103ri <\/em>dintre zestrea livresc\u0103\nasimilat\u0103 \u015fi realit\u0103\u0163ile de la fa\u0163a locului, <em>o expresie<\/em> a tr\u0103irilor sale profunde, strunite, obligate s\u0103 se\nsupun\u0103 formei impuse de specia abordat\u0103. Totul condensat \u00een \u00eencifr\u0103ri de\nimagini \u015fi de sentimente, de impresii \u015fi de emo\u0163ii, de tr\u0103iri, totul convertit\nprin talent literar \u00een poezie\u2026 Un tur de for\u0163\u0103 care demonstreaz\u0103 o intens\u0103\ncapacitate de reflexivitate, dublat\u0103 de o anume gravitate \u015fi de o esen\u0163ializare\na ideii, care, toate la un loc, fac din fiecare poem un text ce oblig\u0103\/d\u0103 na\u015ftere\nla mai multe descifr\u0103ri.<\/p>\n\n\n\n<p>Cea de-a zece carte \u201e<strong>&#8230;sub clopotul de sticl\u0103<\/strong>\u201d, edi\u0163ie\nbilingv\u0103 (rom\u00e2no-german\u0103 sau germano-rom\u00e2n\u0103), publicat\u0103 \u00een 2018 s-a bucurat de\naceea\u015fi promovare discret\u0103 din partea autoarei, fiind difuzat\u0103 unor apropia\u0163i\ncunoscu\u0163i sau prieteni \u201eselecta\u0163i\u201d pe criterii numai de poet\u0103 \u015ftiute. <\/p>\n\n\n\n<p>La \u00eent\u00e2lnirea cu aceast\u0103 nou\u0103 carte\nsemnat\u0103 Utta-Siegrid K\u0151nig, aten\u0163ia cititorului va fi re\u0163inut\u0103 de titlul\nsugestiv care trimite la arhicunoscuta afirma\u0163ie c\u0103, izolat \u00een turnul s\u0103u de\nfilde\u015f, autorul este rupt total de mediul \u00eenconjur\u0103tor. Aceast\u0103 asociere va persista\n\u00een mintea cititorului numai p\u00e2n\u0103 c\u00e2nd, citind textul introductiv al c\u0103r\u0163ii (<em>Motiva\u0163ie<\/em>) va constata c\u0103 autoarea, de\u015fi\nprive\u015fte spectacolul naturii exterioare prin ferestrele apartamentului s\u0103u ca\npe un ecran, este \u00een acela\u015fi timp atent\u0103 \u015fi receptiv\u0103 la trepidanta via\u0163\u0103 cotidian\u0103:\n<em>La \u015etiri, certurile degenereaz\u0103 \u00een b\u0103t\u0103i,\nt\u00e2lh\u0103riile se petrec \u00een plin\u0103 zi, furtunile consistente \u00een noapte, accidentele\nrutiere ori\u015fic\u00e2nd, necontenit\u2026 <\/em>\u015f&#8230;\u0163<em> Schimb canalul, dar \u201escurgerile\u201d\nr\u0103m\u00e2n acelea\u015fi \u00een timp, \u00een alte locuri, cu al\u0163i protagoni\u015fti.<\/em><\/p>\n\n\n\n<p>Tot in <em>Motiva\u0163ie<\/em> afl\u0103m sursa care a determinat autoarea s\u0103 z\u0103misleasc\u0103\naceast\u0103 carte: un vechi calendar german descoperit \u00een arhiva familiei. A\u015fa se\nexplic\u0103 structurarea volumului \u00een cele c\u00e2teva compartimente: patru p\u0103r\u0163i ce\ngrupeaz\u0103 c\u00e2te trei luni, \u00een dreptul fiec\u0103rei zile fiind \u00eenscris c\u00e2te un aforism.\n(<em>Nu condamna pe nimeni\/\u00eenainte de a fi\nfost\/\u00een aceea\u015fi situa\u0163ie <\/em>(8 ianuarie); <em>Consider\u0103\nfiecare zi\/ca fiind ultima <\/em>(28 iunie); <em>Tr\u00e2nd\u0103via\neste\/\u00eenceputul\/fiec\u0103rui viciu <\/em>(5 septembrie); <em>Doar ceea ce rezist\u0103\/\u00een timpul furtunii\/este cu adev\u0103rat puternic <\/em>(29\ndecembrie) \u015f. a.<\/p>\n\n\n\n<p>Celelalte compartimente intercalate\n\u00eentre trimestre con\u0163in crea\u0163ii poetice ale autoarei prezentate prin intermediul\ndiferitelor specii literare: <strong>poeme \u00eentr-un\nvers<\/strong> (<em>Fulgere \u015fi tunete dup\u0103 perdea<\/em>\n(Org\u0103 de lumini); <em>Pe floarea mu\u015fcatei,\ntrei puncte negre <\/em>(\u201eO buburuz\u0103\u201d), <strong>poeme\n\u00een proz\u0103<\/strong> (\u201eFemeia\u201d, \u201eUn fulg de nea\u201d, \u201eVr\u0103biu\u0163a\u201d), <strong>poeme haiku av\u00e2nd drept \u201ekigo\u201d<\/strong> (\u201eFrunze de toamn\u0103\u201d \u015fi \u201ePrima z\u0103pad\u0103\u201d)\nsau <strong>secven\u0163e Haiku<\/strong> (\u201ePentru mama\u201d, \u201eNoaptea\nde Ajun\u201d, \u201eCr\u0103ciun Tsunami\u201d).<\/p>\n\n\n\n<p>A\u015fa cum \u015fi-a obi\u015fnuit cititorii cu\nprecedentele c\u0103r\u0163i publicate, \u015fi de aceast\u0103 dat\u0103 autoarea, \u00eempreun\u0103 cu un grup\nde profesioni\u015fti (Olimpia Sima \u015fi Elena B\u0103dulescu \u2013 redactori; Cristina Irian \u2013\nfoto copert\u0103; Ioana Cucu \u2013 coperte; Carmen Cristina Lupu \u2013 realizare interior; Utta-Siegrid\nK\u0151nig \u2013 machetare), a reu\u015fit s\u0103 ofere o nou\u0103 bijuterie bibliofil\u0103, impecabil\nmachetat\u0103 \u015fi tip\u0103rit\u0103 (<em>Autograf<\/em>,\nPiatra-Neam\u0163). Este un model de respect pentru litera tip\u0103rit\u0103 \u015fi pentru\ncititori, o realizare ce onoreaz\u0103 at\u00e2t scriitoarea Utta-Siegrid K\u0151nig c\u00e2t \u015fi\nEditura \u201eCetatea Doamnei\u201d (manager ing. Viorel Nicoalu), spre \u00eenc\u00e2ntarea \u015fi bucuria\ncelor care vor avea norocul s\u0103 se \u00eent\u00e2lneasc\u0103 cu acest volum.<\/p>\n\n\n\n<p><strong><em>Constantin TOM\u015eA<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Utta-Siegrid K\u0151nig: &#8230;sub clopotul de sticl\u0103 \u00cen peisajul publicistic \u015fi editorial al ultimelor dou\u0103 decenii \u015fi jum\u0103tate \u00eenregistrat \u00een jude\u0163ul Neam\u0163, \u015fi nu numai, prezen\u0163a poetesei Utta-Siegrid K\u0151nig este una singular\u0103 \u015fi discret\u0103 \u00een ceea ce prive\u015fte promovarea c\u0103r\u0163ilor sale&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/www.slineamt.ro\/apostolul\/cronica-literara\/cartea-de-poezie\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,411],"tags":[],"class_list":["post-18204","post","type-post","status-publish","format-standard","hentry","category-cronica-literara","category-numarul-226"],"_links":{"self":[{"href":"http:\/\/www.slineamt.ro\/apostolul\/wp-json\/wp\/v2\/posts\/18204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.slineamt.ro\/apostolul\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.slineamt.ro\/apostolul\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.slineamt.ro\/apostolul\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.slineamt.ro\/apostolul\/wp-json\/wp\/v2\/comments?post=18204"}],"version-history":[{"count":1,"href":"http:\/\/www.slineamt.ro\/apostolul\/wp-json\/wp\/v2\/posts\/18204\/revisions"}],"predecessor-version":[{"id":18216,"href":"http:\/\/www.slineamt.ro\/apostolul\/wp-json\/wp\/v2\/posts\/18204\/revisions\/18216"}],"wp:attachment":[{"href":"http:\/\/www.slineamt.ro\/apostolul\/wp-json\/wp\/v2\/media?parent=18204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.slineamt.ro\/apostolul\/wp-json\/wp\/v2\/categories?post=18204"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.slineamt.ro\/apostolul\/wp-json\/wp\/v2\/tags?post=18204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}