{"id":20675,"date":"2020-11-23T07:49:51","date_gmt":"2020-11-23T07:49:51","guid":{"rendered":"http:\/\/www.slineamt.ro\/apostolul\/?p=20675"},"modified":"2020-11-23T07:49:51","modified_gmt":"2020-11-23T07:49:51","slug":"florile-luminii-si-sfantul-ceahlau","status":"publish","type":"post","link":"https:\/\/www.slineamt.ro\/apostolul\/arte-si-meserii-plastica\/florile-luminii-si-sfantul-ceahlau\/","title":{"rendered":"Florile luminii \u015fi sf\u00e2ntul Ceahl\u0103u"},"content":{"rendered":"\n
\"\"<\/figure><\/div>\n\n\n\n

Proaspete, vii, albe, transfigurate, respirate pe tulpina lor, \u00eengem\u0103nate, \u00een rostire r\u0103spicat\u0103, aplicate \u015fi aplecate<\/em><\/strong>, \u00een r\u0103stimp de contemplare, pe firul de raze, \u00een vibrare discret\u0103, cople\u015fite de ardoarea interioar\u0103, de o prea r\u0103v\u0103\u015fitoare chemare, spre \u00eenaltul firii. De data aceasta, florile lui Gigel B\u00e2rliba \u00eemi par \u015fi apar ca florile luminii<\/em><\/strong>, cu o \u00eencetinire \u015fi o cumin\u0163ire, mai \u00eenainte de a fi ermetizate \u015fi eterizate, \u00een semin\u0163e \u015fi rodire, \u00een necontenire adic\u0103, precum e lumina, nemuritoare.<\/p>\n\n\n\n

Taina luminii e contemplare de sine, prin r\u0103sfr\u00e2ngere, \u00een firea apei \u00eennoite, a\u015fa ne apar Florile cerului<\/em><\/strong>, florile luminii nemuritoare, r\u0103sfr\u00e2nte \u00een azur de v\u0103zduh interior, respir\u00e2nd din ad\u00e2nc de izvor primenitor.<\/p>\n\n\n\n

Florile lui Gigel B\u00e2rliba sunt ilumin\u0103ri interioare, plec\u00e2ndu-\u015fi fruntea, t\u00e2mpla de petale, pe un firmament transparent, petrec\u00e2nd un g\u00e2nd tainic, decent, o \u00eenfiorare de prezent subtil, subiacent.<\/p>\n\n\n\n

Inocent\u0103, clipa eternului \u00eenceput, cum ne este \u015fi amintirea dinspre ce este acum, spre o \u00eentrupare a ceea ce \u00eens\u0103 nu este \u015fi, pe m\u0103sur\u0103 ce ne amintim, clipa \u00eenflore\u015fte, devine lamur\u0103<\/em>, Floare de S\u00e2nziene, l\u0103murindu-se, prin \u00eenflorire divin\u0103.<\/p>\n\n\n\n

Sublimul e starea princiar\u0103 a sufletului, c\u00e2nd, prin asfin\u0163ire, ni se aminte\u015fte de \u00eemplinire \u015fi m\u00e2ntuire, av\u00e2nd durata unei clipe: aceasta e clipa de gra\u0163ie a florilor sofianice<\/em>, ca a\u015fteptare \u015fi am\u00e2nare, r\u0103gaz, de o clip\u0103, cu o clip\u0103 \u00eenainte de r\u0103v\u0103\u015fire, de ofilire. Privindu-le \u015fi admir\u00e2ndu-le, ad\u0103ug\u00e2ndu-le pricina noastr\u0103, surparea noastr\u0103, mirarea noastr\u0103, a ceea ce ni se arat\u0103, ca izbucnire, profunzime, captare \u015fi inspirare, fericindu-ne privirea.<\/p>\n\n\n\n

C\u00e2nd ne plec\u0103m fruntea sau t\u00e2mpla, de fapt, ne supunem uit\u0103rii de sine, unei surp\u0103ri interioare, precum florile nemuritoare ale lui Gigel B\u00e2rliba. Smerenia, ca un prag spre adumbrire, nu e stagnare sau simulare, ci aplecare \u015fi urmare \u015fi \u00eendurare, cum lumina e \u015fi (sau mai ales!) suferin\u0163\u0103: suferin\u0163a culorilor (Van Gogh).<\/p>\n\n\n\n

Cu ce se hr\u0103nesc florile acestea, pr\u0103bu\u015fite-n abis, cine le respir\u0103 pe ascuns, c\u00e2nd pictorul e demult \u00eentr-un alt spa\u0163iu, aerian, contempl\u00e2nd o alt\u0103 floare, \u00een r\u0103coarea frun\u0163ii \u015fi \u00een ardoarea inimii, medit\u00e2nd la floarea cea rar\u0103, unic\u0103, r\u0103s\u0103rind, \u00eentr-o alt\u0103 lume, \u00eentr-un alt abis, abisal paradis.<\/p>\n\n\n\n

Spre r\u0103s\u0103rit plec\u00e2ndu-\u015fi cununa de argint, aplecate \u00een semn de recunoa\u015ftere \u015fi de puritate a privirii, ferindu-\u015fi f\u0103ptura pentru a l\u0103sa loc liber s\u0103 le cuprind\u0103 lumina, ca o jertfire, \u00een adorarea, \u00ee\u015fi afl\u0103 alinare, iar pentru noi, doar \u00eenc\u00e2ntare.<\/p>\n\n\n\n

Florile cerului<\/em><\/strong> ne ap\u0103r\u0103, se ap\u0103r\u0103, de aceea ce ar putea s\u0103 le st\u00e2njeneasc\u0103, s\u0103 le \u00eentineze firea, \u00ee\u015fi \u00eenfig r\u0103d\u0103cina pe \u00een\u0103l\u0163imi de munte, c\u00e2t mai aproape de cer, imaculate \u00een cre\u015fterea \u015fi \u00eenflorirea lor. Chiar dac\u0103 nu le admir\u0103 nimeni, cu at\u00e2t mai mult \u00eenfloresc \u00een sine-\u0163i doar pentru un duh nev\u0103zut al aerului, al luminii \u015fi al lacrimii de rou\u0103, \u00een zori.<\/p>\n\n\n\n

Florile de munte \u00eennobileaz\u0103 firea \u00een\u0103l\u0163imii, prin \u0163\u0103r\u00e2na pu\u0163in\u0103, suficient\u0103 \u00eens\u0103, c\u00e2t s\u0103 prind\u0103 r\u0103d\u0103cin\u0103, hr\u0103nindu-se doar cu aer \u015fi cu lumin\u0103. Sau, admir\u00e2ndu-le c\u00e2nd \u00ee\u015fi r\u0103coresc f\u0103ptura cu lacrima (roua) pl\u00e2nsului interior.<\/p>\n\n\n\n

Tripticul montan<\/em><\/strong> al lui Gigel B\u00e2rliba sunt alegorii pentru chem\u0103ri interioare, biruitoare, asupra durerii, \u00een\u0103l\u0163\u00e2ndu-se deasupra trecerii p\u0103m\u00e2ntene, cu un pic de verde, c\u00e2t mai intens, pe m\u0103sur\u0103 ce culmea \u00ee\u015fi sub\u0163iaz\u0103 f\u0103ptura, \u00eenfior\u00e2nd v\u0103zduhul.<\/p>\n\n\n\n

Muntele \u00ee\u015fi pleac\u0103, smerit, t\u00e2mpla, cople\u015fit\u0103 de \u015foapt\u0103, de \u00eenflorirea, de clipirea, de r\u0103v\u0103\u015firea inferioar\u0103, \u00een ardoarea necuprinderii. \u00cent\u00e2ia raz\u0103 a zorilor m\u00e2ng\u00e2ie mai \u00eent\u00e2i t\u00e2mpla de dor mistuitor a Carpa\u0163ilor. Cople\u015fi\u0163i de prea mult\u0103 lumin\u0103, \u00een acolad\u0103 smerit\u0103, \u00ee\u015fi \u00eencep Colindul dinspre Nord. Carpa\u0163ii par a fi cople\u015fi\u0163i de o ardoare interioar\u0103, cu un nimb de contemplare divin\u0103 par a se supune unui nadir latent, meridional, ca, imediat, s\u0103-\u015fi aduc\u0103 aminte, spre asfin\u0163it, de zenitul luminii eterne.<\/p>\n\n\n\n

La \u00eentrebarea poetului Nichita St\u0103nescu, deloc retoric\u0103, ci, duios \u00eembietoare: Dac\u0103 florile \u015fi-ar d\u0103rui oameni la fel cum oamenii \u00ee\u015fi ofer\u0103 flori, de unde ar fi t\u0103ia\u0163i oamenii?<\/em> R\u0103spunsul lui Gigel B\u00e2rliba ar fi unul c\u00e2t se poate de poetic: prin fr\u00e2ngerea razei de lumin\u0103, care ne \u00eenfiorar\u0103, prin fractalul<\/em> din care r\u0103sare lamura<\/em> cuv\u00e2ntului, m\u00e2ng\u00e2ind t\u00e2mpla<\/em> t\u0103cerii.<\/p>\n\n\n\n

Narcisele, lalele, bujori, un mac, dou\u0103 narcise cu sau f\u0103r\u0103 nume, anonime chiar, toate sunt purt\u0103toare de mesaj poetic, fie, prin alegoria muntelui, ca temeinicie \u015fi statornicie, fie prin metonimia culorilor, una alteia fiind \u00een rezonan\u0163\u0103, f\u0103r\u0103 st\u00e2njenire.<\/p>\n\n\n\n

Pentru a nu st\u0103rui prea mult, risc\u00e2nd s\u0103 se ofileasc\u0103 florile lui Gigel B\u00e2rliba, de prea multe cuvinte, ele, florile, se cuvine s\u0103 fie admirate pe furate, ca s\u0103 nu se umbreasc\u0103 \u015fi s\u0103-\u015fi fereasc\u0103 privirea, la r\u00e2ndul lor, admir\u00e2ndu-ne. \u00cen cele din urm\u0103 e o convertire, o conversie tainic\u0103, florile ni se d\u0103ruie, ca lumin\u0103, lumin\u0103 transfigurat\u0103, adic\u0103 epifanic\u0103. Ele au chip \u015fi \u00eentruchipeaz\u0103 privirea lui Dumnezeu. P\u00e2n\u0103 \u015fi muntele ne apare \u00een dialog cu el \u00eensu\u015fi, un fel de cunoa\u015ftere de sine, pe c\u00e2t ne apare el \u00een \u00een\u0103l\u0163ime, suitor nec\u0103\u0163\u0103r\u0103tor, t\u00e2nguitor, suport\u00e2ndu-\u015fi povara m\u0103re\u0163iei, pe at\u00e2t e doar chemare spre un interior, unde ne sunt date, aievea, \u00eenfloritoare, nemurirea, ve\u015fnicia, eternitatea, \u00een toat\u0103 splendoarea \u015fi m\u0103re\u0163ia \u00eendr\u0103znirii spre cer, a biruin\u0163ei, \u00een lumin\u0103 \u015fi prin lumin\u0103.<\/p>\n\n\n\n

M-am \u00eentrebat asupra felului \u00een care sunt \u00eenclinate florile, suger\u00e2nd un gest de tandre\u0163e a celui care le d\u0103ruie\u015fte. Ele sunt flori d\u0103ruite, \u00eenminunate de c\u0103ldura gestului: pietate \u015fi iubire, cople\u015fire \u015fi primenire. \u00cenc\u0103rc\u0103tura lor interioar\u0103, misterul, purt\u0103tor de mesaj devine expresiv \u015fi r\u0103sp\u00e2ndind \u00een privire o tain\u0103, o emo\u0163ie.<\/p>\n\n\n\n

Florile lui Gigel sunt purt\u0103toare \u015fi de mesaj al statorniciei \u015fi temeiniciei, al \u00eemp\u0103m\u00e2ntenirii lor, c\u00e2t mai aproape de crugul \u015fi de rugul purificator al luminii, nest\u00e2njenitoare, ci \u00een urcu\u015f, t\u00e2nguitor, ca embleme solare, respir\u00e2nd parc\u0103 aerul purificator al t\u0103cerii, a\u015fa cum e sugerat de Ceahl\u0103ul \u00eenv\u0103lurit, \u015fi, \u00een cuminecare, \u00eenv\u0103luit. Undeva pot fi v\u0103zute \u015fi dou\u0103 c\u0103su\u0163e, ca martore t\u0103cute, dup\u0103 ce piciorul a p\u0103r\u0103sit locuirea \u015fi lucrarea, fiind cucerit \u015fi captivat de \u00een\u0103l\u0163imea sugerat\u0103 \u015fi de \u00eenceputul spornic al a\u015ftept\u0103rii, ca o sacr\u0103 \u00eembobocire, o f\u0103ptur\u0103, multipl\u0103.<\/p>\n\n\n\n

Soarele care izbucne\u015fte prin raze eminesciene. Un Ceahl\u0103u \u00een rostire, care ne apare ca o carte, un Ceaslov al luminii. Ceahl\u0103ul, dou\u0103 promontorii. Stingerea luminii: asfin\u0163itul.<\/p>\n\n\n\n

 Flori nemuritoare, cere\u015fti, transfigurate \u00een lumina iubirii, \u00een v\u0103zduhul cunoa\u015fterii de sine, \u00een clipa fast\u0103 de s\u0103rb\u0103toare \u015fi de revela\u0163ie, c\u00e2nd \u0163i-e dat s\u0103-\u0163i vezi chipul: \u00een admirare \u015fi d\u0103ruire de sine.<\/p>\n\n\n\n

\u00cenv\u0103\u0163\u0103ceii, din Creanga de aur<\/strong> sadovenian\u0103, tainici, dedica\u0163i unei taine \u015fi unei asceze, \u00een singur\u0103tatea auster\u0103 a muntelui Ceahl\u0103u. Ceahl\u0103ul fiind reperul \u015fi \u00een\u0103l\u0163imea la care aspir\u0103 sufletul p\u0103m\u00e2nteanului, a\u015fa cum ne apare, \u00eencununat de \u00eenfirip\u0103ri de sfinte cruci albastre. Cununa noastr\u0103 binecuv\u00e2ntat\u0103 e \u00een v\u0103i de aduceri aminte. Ceahl\u0103ul \u015fi Soborul t\u0103cerii: maestrul se retrage \u015fi r\u0103sare chipul t\u0103cerii. Apoteoza luminii, ca o r\u0103sfr\u00e2ngere \u00een sine.<\/p>\n\n\n\n

Ceahl\u0103ul: dou\u0103 promontorii insurmontabile, unde ispita e mai sagace, de a te pr\u0103bu\u015fi, c\u00e2nd altceva te va ispiti. Un albastru senin, cu \u00eenfirip\u0103ri de duh alpin, un fel de persisten\u0163\u0103 a t\u0103cerii, r\u0103v\u0103\u015fit\u0103, cople\u015fitoare. \u015ei un alt Ceahl\u0103u, treimic<\/em>, munte sacru, \u00eenduhovnicit. P\u0103rintele, Marele Preot \u015fi dou\u0103 chipuri isihaste, \u00een adorare, \u00een a\u015fteptare, \u00een admirare, \u00een surprinderea clipei fugare, ca \u00eentruchiparea Duhului \u00een peregrinare, vibr\u00e2nd \u00een lumina odihnitoare, primenitoare. \u015ei o alt\u0103 pas\u0103re al c\u0103rei zbor, \u00een arpegii de culoare \u00een v\u0103zduh, \u00een cutremurare, \u00eemplinindu-se Tripticul<\/strong> pe un fond de chemare, de \u00eenfiorare \u015fi de \u00eemplinire. Dialogul aripilor face ca zborul s\u0103 ne apar\u0103 epifanic, \u00eenspic\u00e2nd v\u0103zduhul. F\u0103ptura uman\u0103 a Ceahl\u0103ului, \u00eenfiripare \u015fi \u00eentruchipare a Sufletului, ca iluminare interioar\u0103. (15 ianuarie 2015, Tg. Neam\u0163)<\/p>\n\n\n\n

 Prof. Gheorghe SIMON<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Proaspete, vii, albe, transfigurate, respirate pe tulpina lor, \u00eengem\u0103nate, \u00een rostire r\u0103spicat\u0103, aplicate \u015fi aplecate, \u00een r\u0103stimp de contemplare, pe firul de raze, \u00een vibrare discret\u0103, cople\u015fite de ardoarea interioar\u0103, de o prea r\u0103v\u0103\u015fitoare chemare, spre \u00eenaltul firii. De data…<\/p>\n

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