{"id":26200,"date":"2024-10-22T07:05:29","date_gmt":"2024-10-22T07:05:29","guid":{"rendered":"https:\/\/www.slineamt.ro\/apostolul\/?p=26200"},"modified":"2024-10-22T07:05:29","modified_gmt":"2024-10-22T07:05:29","slug":"sub-semnul-triadelor","status":"publish","type":"post","link":"https:\/\/www.slineamt.ro\/apostolul\/cronica-literara\/sub-semnul-triadelor\/","title":{"rendered":"Sub semnul triadelor"},"content":{"rendered":"
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Rar nume mai potrivit pentru un c\u0103rturar<\/em> ca acela de Tom\u015fa<\/em>.<\/p>\n\n\n\n

Se poate \u201eciti\u201d ca semnific\u00e2nd Carte (Tom)<\/em>, dar \u015fi Om<\/em>. Dup\u0103 cum \u015fi \u201e\u015fa\u201d s-ar putea citi \u00een dou\u0103 moduri, acea \u015fa<\/em> sub care Badea C\u00e2r\u0163an trecea c\u0103r\u0163i mai \u201edeochiate\u201d pentru autorit\u0103\u0163i militare dincolo de v\u0103mi, vaduri \u015fi mun\u0163i, sau \u201e\u015fi al\u0163ii<\/em>\u201d, c\u0103ci acela\u015fi c\u0103rturar Tom\u015fa l\u0103sa \u00een urma sa \u00eenv\u0103\u0163\u0103ceii.<\/p>\n\n\n\n

\u00cemp\u0103timit de Lecturi, C\u0103r\u0163i \u015fi Oameni, (nu mai pu\u0163in de 6 volume poart\u0103 sintagma \u00cemp\u0103timit de\u2026<\/em>), Constantin Tom\u015fa, cel cu de dou\u0103 ori nume voievodal, domnesc \u015fi \u00eemp\u0103r\u0103tesc, a fericit \u0162inutul Neam\u0163ului \u015fi cu un Dic\u0163ionar al Literaturii<\/em>, de la \u201ecopi\u015fti la suprareali\u015fti\u201d, cercet\u00e2nd fenomenul literar, \u2013 mai mult, cultural<\/em> \u2013 pe parcursul a nu mai pu\u0163in de VII secole.<\/p>\n\n\n\n

Ezoteric citit, ini\u0163iatic \u015fi numerologic, timpul s\u0103u (al na\u015fterii) e legat de cifra 3: 3.11.1939, adic\u0103 3+1+1+1(adic\u0103 3) +32 (9)+ 3 + 32 (9).<\/p>\n\n\n\n

Dup\u0103 cum \u015fi locul na\u015fterii st\u0103 sub imperiul aceleia\u015fi cifre: Ghel\u0103e\u015fti, B\u0103l\u0103ne\u015fti, B\u00e2rg\u0103uani. Asemeni unui scriitor american a b\u00e2ntuit mai multe profesii: institutor, \u00eenv\u0103\u0163\u0103tor, profesor, director, inspector \u2013 toate legate \u00eens\u0103 de cultur\u0103 \u015fi educa\u0163ie.<\/p>\n\n\n\n

CONSTANTIN TOM\u015eA (pentru prieteni COSTIC\u0102 sau B\u0102DIA) a contribuit direct la organizarea \u015fi realizarea unor prime edi\u0163ii ale unor manifest\u0103ri care, \u00een timp, au devenit de prestigiu, tradi\u0163ionale: Festivalul Spectacolelor de Teatru pentru Copii \u015fi Tineret, Vacan\u0163ele Muzicale, Bienala de Art\u0103 Plastic\u0103 Lasc\u0103r Vorel, \u015eez\u0103toare la Humule\u015fti, S\u0103rb\u0103toarea Muntelui Ceahl\u0103u, Sadoveniana, Salonul de Carte Libris<\/em> etc.<\/p>\n\n\n\n

Slova lui, c\u00e2nd domoal\u0103 \u015fi sf\u0103toas\u0103, cu inflexiuni \u015fi ritmuri de r\u0103ze\u015f, c\u00e2nd sprin\u0163ar\u0103 \u015fi juc\u0103u\u015f\u0103 ca un izvor de prim\u0103var\u0103, s-a risipit generos prin reviste pe care le-a iubit \u015fi chiar le-a p\u0103storit, fiind uneori chiar staroste: Petrodava Cultural\u0103, Petrodava 2000. Tradi\u0163ie \u015fi continuitate, Ceahl\u0103ul, Anotimpuri, Anuarul Colegiului Tehnic Gheorghe Cartianu, Apostolul, La Tazl\u0103u, Asachi, Antiteze, Ac\u0163iunea, Realitatea, Monitorul de Neam\u0163, \u0162ara Hangului, Vestea, Conta<\/em> \u015f. a.<\/p>\n\n\n\n

A scris postfe\u0163e, prefe\u0163e, referin\u0163e \u015fi \u015fapouri despre autori din Neam\u0163, mul\u0163i dator\u00e2ndu-i scoaterea din anonimat sau chiar consacrarea: Ion C\u00e2rnu, Maria Diaconu, Laurean Ante, Vasile Gheorghi\u0163a, Mihai Merticaru, Teoctist Galinescu, Ana V\u00e2rlan, Nicolae C\u0103ruceru, Emil Ariton, Valentin Andrei, Emil Bucure\u015fteanu, Astazia Sandu, Virgil R\u0103ze\u015fu, Victor Ciubotaru, Mihai En\u0103chescu, Virgil Savin, Minodora Ursachi<\/em> etc.<\/p>\n\n\n\n

Lor li s-au ad\u0103ugat, cu studii ample sau chiar eseuri monografice, Cristian Livescu<\/em>, Lucian Strochi<\/em> sau Costache Andone<\/em>.<\/p>\n\n\n\n

A realizat exemplare studii, biografii \u015fi exegeze pentru\/despre Revistele Apostolul<\/em> \u015fi Asachi<\/em>, portrete de scriitori, (adev\u0103rate micromonografii) \u00een Contemporani cu ei<\/em>.<\/p>\n\n\n\n

Au scris despre crea\u0163ia sa (prefe\u0163e sau studii) \u00eentre al\u0163ii Dan M\u0103nuc\u0103, Mircea Zaharia, Lucian Strochi, Gheorghe Bunghez, Cristian Livescu<\/em>.<\/p>\n\n\n\n

Din punct de vedere a OMS (Organiza\u0163ia Mondial\u0103 a S\u0103n\u0103t\u0103\u0163ii), Constantin Tom\u015fa trecuse \u00een r\u00e2ndul longevivilor…<\/p>\n\n\n\n

\u015ei chiar dac\u0103 furnicile negre \u015fi oarbe ale literelor \u00eei mai atacau vederea \u015fi dac\u0103 prezen\u0163a sa era ceva mai rar\u0103 la manifest\u0103ri, Constantin Tom\u015fa a r\u0103mas un Paznic de Far, o prezen\u0163\u0103 cople\u015fitoare \u00een peisajul literar de la noi \u015fi de aiurea.<\/p>\n\n\n\n

Nefiresc de modest, de energic, de cald, Costic\u0103 Tom\u015fa a avut un mare p\u0103cat: nu a avut du\u015fmani.<\/p>\n\n\n\n

\u00cen\u0163elepciunea sa de sorginte \u0163\u0103r\u0103neasc\u0103 l-a \u00eenv\u0103\u0163at c\u0103 neamul omenesc \u015fi cel rom\u00e2nesc nu trebuie sleite \u00een dispute sterile, \u00een vrajb\u0103 \u015fi dezbinare.<\/p>\n\n\n\n

Senioral, olimpian \u00een\u0163elegea via\u0163a ca nimeni altul, red\u00e2ndu-i firii umane doar valen\u0163e \u015fi nuan\u0163e pozitive.<\/p>\n\n\n\n

Iar Dic\u0163ionarul<\/em> s\u0103u este o oper\u0103 de c\u0103p\u0103t\u00e2i ce va \u00eenvinge nestatorniciile vremurilor.<\/p>\n\n\n\n

Dac\u0103 fiecare jude\u0163 al \u0163\u0103rii ar fi \u201efericit\u201d cu un asemenea monumental monument literar, cultural \u015fi de civiliza\u0163ie, Rom\u00e2nia s-ar putea prezenta \u00een fa\u0163a lumii cu o cultur\u0103 cople\u015fitoare prin nume, opere, ac\u0163iuni, manifest\u0103ri, cultura rom\u00e2n\u0103 devenind una cu adev\u0103rat major\u0103.<\/p>\n\n\n\n

Lucian STROCHI<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Rar nume mai potrivit pentru un c\u0103rturar ca acela de Tom\u015fa. Se poate \u201eciti\u201d ca semnific\u00e2nd Carte (Tom), dar \u015fi Om. Dup\u0103 cum \u015fi \u201e\u015fa\u201d s-ar putea citi \u00een dou\u0103 moduri, acea \u015fa sub care Badea C\u00e2r\u0163an trecea c\u0103r\u0163i mai…<\/p>\n

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